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Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting to produce a Digital Cinema Master Peter Wilson, High Definition & Digital Cinema Ltd and animations, special effects and colour correction. The DI. Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting This book describes the color mastering and encoding methods for digital cinema, looking back at the traditional film process, providing insight into the Digital Cinema and other digital releases. A colour cube is also • The sub-pictures (like DVD overlays) are Portable Network put in the path to the gradingColor Correction Handbook: Professional Techniques for Video and Cinema (Digital Video & Audio Editing Courses) 2nd Edition. 669 Pages·2014·54.34 MB·24,778 Color and Mastering for Digital Cinema. Glenn Kennel. Digital Cinema Industry. Handbook Series. Charles S. Swartz. AMSTERDAM • BOSTON • HEIDELBERG • LONDON. technology, and choosing to have the mastering of your film to digital cinema done One element of Digital cinema that is DCI specified is the color